Learn more about all of the great Final Cut Pro X user experience stories published over the last year from FCP.co. FCPWORKS’ Sam Mestman also looks forward with a preview of FCP Exchange at NAB.
FCPWORKS Sam Mestman State of the Union 2016 from FCPWORKS on Vimeo.
Wes Plate, the founder and president of Automatic Duck, Inc., gave the world premiere public demonstration of their coming-soon app Xsend Motion. This new translator converts timelines from FCPX to Motion 5, like the Send to Motion feature users miss from the old days of Final Cut Pro Studio. automaticduck.com
Automatic Duck— New Product Reveal from FCPWORKS on Vimeo.
Denver Riddle develops and demonstrates this color grading plugin which brings the deep power of color correction right into Final Cut Pro X and unveils a brand new version of his product. try.colorgradingcentral.com/colorfinale/
Color Finale from FCPWORKS on Vimeo.
In his FCP X Power Tips session, Steve Martin from Rippletraining.com will organize, rate, edit, trim, add transitions, work with music, retime and apply a LUT to a short film without touching the mouse even once (well, maybe just once). Steve's session effectively buries the notion that FCP X is primarily a mouse-driven application.
Final Cut Pro X Power Tips from FCPWORKS on Vimeo.
Sam Mestman presents a look inside the adoption of Final Cut Pro X by the Inverleigh in Melbourne. Put to the highest broadcast and professional standards over a rigorous series of tests, Final Cut Pro X passed with flying colors. Learn the process from A to Z. As part of the discussion, Philip Hodgetts shows off Magic Keywords in Lumberjack System! lumberjacksystem.com
Inverleigh TV NAS Case Study from FCPWORKS on Vimeo.
When one of largest production companies in Denmark, Metronome Productions (a part of Endemol Shine Group), set out to produce what was to become one of the highest rated television series on Danish TV2, they turned to Final Cut Pro X. Having been an integral part of Metronome's post-production for years, Final Cut Pro X proved to be the most flexible, fastest and most reliable NLE for this enormous task. Heads of Metronome's Final Cut Pro Team Ryan Velin and Mads Larsen Nielsen will talk about using Final Cut Pro X on a large scale production and they will show how they put together their own server system using almost only "off the shelf" items already in-house at Metronome.
Large scale television production edited on location from FCPWORKS on Vimeo.