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Apple Color and FCP deliver true Broadcast Safe for "the big boys"

COW Blogs : walter biscardi's Blog : Apple Color and FCP deliver true Broadcast Safe for "the big boys"
Recently a thread in the Apple Color forum had somebody remark that if you're delivering to the "Big Boys" such as Discovery and PBS you really should have external scopes in your shop. It's also been suggested that external legalizer boxes really should be used as well when delivering to the high end networks.

The true fact of the matter is, the scopes in Color are very accurate, to the point that I don't see any differences on an external scope when we do have one. The Broadcast Safe in Color is good enough for "the big boys." We have delivered about 66 episodes of "Good Eats" in HD to the Food Network, not a single rejection for video quality, and have now delivered two HD programs to PBS. No external scopes, no external legalizer. Just FCP to Color to FCP and out to tape. In fact, about 20 or so episodes of Good Eats was color graded ONLY using FCP's 3-Way CC, Broadcast Safe and Levels filters. All of those were legal.

If you can afford an external scope and want to drop $12,000 to $20,000 for a good Tektronix scope, then by all means have at it. We actually could afford one if I really felt I needed it, but I personally would rather spend that money on something more useful to our day to day operation, say like 3 FSI color reference monitors to replace our aging CRT monitors.

But as far as being perfectly broadcast legal and delivering to the "big boys" of broadcast, the tools within FC Studio are perfectly capable of delivering a legal product in the hands of an operator who knows how to use them.


Re: Apple Color and FCP deliver true Broadcast Safe for "the big boys"
by Niesha Davis
I love this information on Final Cut Studio, I'm new to the industry and many people do not approve of Color for colour correction, but here is a legitimate testimony in favour of it! Appreciated!

Niesha Davis
I'm glad someone finally said this,
by Jiggy Gaton
I'm glad someone finally said this, as this is surely the case! Apple Color is one of those hidden gems that come with FCP, and well worth the bucks. Thx!
completely agree..
by adam taylor
..with you Walter. Although i think the final 12 words of your post really hit on the meat of the issue.

Depending upon workflows, a legalizer is not always practical. My nice Eyeheight unit is rarely used nowadays because all my commercials are distributed to the stations digitally over the internet. I rely on the fact that everything comes out of Color legal, and with no rejections from the stations.


Professional Video Editor, Producer, Creative Director, Director since 1990.

Credits include multiple Emmys, Tellys, Aurora and CableAce Awards.

Creative Director for Georgia-Pacific and GP Studios, Atlanta. Former Owner / Operator of Biscardi Creative Media. The show you knew us best for was "Good Eats" on the Food Network. I developed the HD Post workflow and we also created all the animations for the series.

Favorite pastime is cooking with pizza on the grill one of my specialties. Each Christmas Eve we serve the Feast of the Seven Fishes, a traditional Italian seafood meal with approx. 30 items on the menu.

If I wasn't in video production I would either own a restaurant or a movie theater.



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